showing 22 results matching medium:"Hanging scroll; ink on paper"

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Looking for medina, metius, media, medic?

black ink and red chop marks on cream; seated male figure at bottom with three round objects placed before him, oval behind figure; three vertical lines of characters above figure; red chop mark in ULC, two red chop marks below line of characters at R; beige and olive silk mount; red scroll bar

Budai, 19th century

Shunsō Shōju

G221

circle of a single brushstroke at right; text at left; 2 seals in LLC, 1 in ULC

Ensō, 19th century

Taidō Sōtō

G221

sleeping tiger with bamboo at L and above; green and blue and gold borders

Sleeping Tiger in Bamboo, late 18th century

Watanabe Shusen

Not on View
four sparrows huddled together at bottom of composition amidst bamboo stalks and leaves; one of the stalks extend upward and curve, forming an 'o' shape, and then extending towards the middle of the surface; one sparrow is perched on this bamboo stalk right around the center of the composition; the bamboo stalks, leaves, and sparrows are all against a void background; the upper half of the composition is blank

Five Sparrows on Bamboo, 16th century

Traditionally attributed to Sesson Shūkei

Not on View
left of a pair of hanging scrolls; two long and one short lines of text; line of small characters, LLQ, with two seals in red

Spring and Autumn Quatrains [pt. 2, left], first half 18th century

Hattori Nankaku

Not on View
portion of overhanging cliff with gnarled trees and foliage at LRQ; small boat with passengers lower center; low mountains and island at L

Red Cliff, second half 18th century

Kimura Kenkadō

Not on View
many short lines of various heights of connected calligraphy; red seals, URC and LLC; shadowy drawing (unidentifiable imagery), URC

Six spring haiku, mid 18th century

Kaga no Chiyo

Not on View
stalks of young bamboo at LR growing upward across scroll; squirrel perched at center of taller stalk with body arched towards L; another squirrel sitting on haunches rising upward on rock at L; clusters of bamboo leaves at URQ

Bamboo and Squirrels, late 19th - early 20th century

Mochizuki Gyokusen

Not on View
right of a pair of hanging scrolls; two long and one short lines of text; line of small characters, LLQ, with two seals in red

Spring and Autumn Quatrains [pt. 1, right], first half 18th century

Hattori Nankaku

Not on View
loopy, connected calligraphy on a background of two pieces of paper painted with gold, blue, black and grey plant forms

(Two Waka Tanzaku), late 16th - early 17th century

Konoe Nobutada

Not on View
cluster of grape leaves and grapes at URQ; winding grapevine extends downward towards LLQ with a cluster of grapes and leaves at center; left scroll

Grape Vines in the Wind, one of two, late 18th century

Tenryū Dōjin

Not on View
five bold lines of calligraphy on greyish paper; two red seals, LLC; one oval red seal, URC

Autumn View, first half 18th century

Gion Nankai

Not on View
looping, contrasting lines of calligraphy; vertical format; tan paper; organic forms of trees in gold and grey

Longing from Afar, 16th-17th century

Karasumaru Mitsuhiro

Not on View
image of square ceramic jar with wide neck and thick lip; vertical gray drips in "glaze" running down sides

Ceramic Jar, first half 20th century

Kitaōji Rosanjin

Not on View
four long lines of text with one smaller short line at left in LLQ; two red seals below shorter line of text

Rain Over the Stream, first half 19th century

Yanagawa Seigan

Not on View

A Grape Vine, 19th century

Aiseki

Not on View

God of Longevity, c. 1800

Matsumura Goshun

Not on View
The colophons translate as: 1 (first three lines): “Born in Suruga Province; its land of origin the village of Ōmi. ’Tis the finest mountain in all the world; no other can begin to compare.” 2 (final four lines): “Even foreigners must come all the way here if they want to see the greatest mountain in the world!”

Mount Fuji, c. 1820

Maruyama Ōzui; Calligrapher: Ōta Nanpo

Not on View
frowning, balding man with beard holding a staff (?) under his PR arm and holding up a large shrimp with his PL hand; water and grasses at bottom

Priest Xianzi (Kensu) Catching a Shrimp, first half 17th century

Shōjō Shōkadō

Not on View
head and shoulders of bald man with heavy beard, large eyes and long eyebrows; text at left; 2 seals in LLC, 1 in URC

Bodhidharma, 17th-18th century

Daishin Gitō

Not on View

Ripening Plums, second half 17th - early 18th century

Itō Jinsai

Not on View

Grape Vines in the Wind, two of two, late 18th century

Tenryū Dōjin

Not on View

showing 22 results matching medium:"Hanging scroll; ink on paper"

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